CHAGE & ASKA - モーニングムーン.mp3 10.9MB 02. CHAGE & ASKA - 黄昏を待たずに.mp3 9.6MB 03. CHAGE & ASKA - Count Down.mp3 10.4MB. SUPER BEST II: CHAGE&ASKA: CD album:: TREE: CHAGE&ASKA: CD. JaME WORLD assumes no responsibility for errors or omissions in this website or other. Chage & Aska - 《SUPER BEST BOX》(SUPER BEST BOX)[MP3!]- 灰信网迅雷下载地址：下载信息载入中. Snow Mail」を含んだベストボックス。.

And here’s another 80s gem, but now in the form of Takako Ohta’s ( 太田貴子 ) “MAGICIAN ~in the midnight~”, from 1989, that was produced by jazz saxophonist and composed Bobby Watson, and features a delicious and funky singalong chorus. Aside from all the Creamy Mami ( 魔法の天使クリィミーマミ ) stuff that Ohta recorded in her aidoru days, she also released some interesting City Pop/R&B albums during the late 80s. Download Soal Spa Polines De Madera. Unfortunately, her fame has always been restricted to the anime niche, and true funky gems like “MAGICIAN ~in the midnight~” just got buried with time. After becoming with “Boku wa Kono Me de Uso wo Tsuku” ( 僕はこの瞳で嘘をつく ) earlier this year, I had the pleasure of buying CHAGE and ASKA’s “SUPER BEST II” compilation from a fellow Brazilian for a very cheap price.

Time passed by and it became the album I listened to the most this year (2017 is not over yet, but still). Aside from the aforementioned upbeat tune, “Trip” is the one song I keep returning to, thanks to its gorgeous melody and ASKA’s powerful delivery. Well, he’s always great, but there’s something special in “Trip”, and even a hint of sadness at some points. It’s interesting how it wasn’t a true hit when it was released back in 1988. The duo had to wait until the economic bubble burst to have their second, and definitive, wave of success. I remember talking about Hikaru GENJI’s ( 光 GENJI) “Waratte yo” ( 笑ってよ ) a while ago, and “Nettaya” is somewhat similar in the sense that both are Latin-inspired songs. Released in 1991 as the coupling song to the single “WINNING RUN”, “Nettaya” explodes in an exuberant and glossy summer song that almost makes me want to sing the owaranai masquerade owaranai natsu ( 終わらないマスカレード 終わらない夏 ) from the first chorus together with the boys.

Schneider Twido Plc Software. The melody is so vibrant that almost masquerades (yeah, pun intended) Hikaru GENJI’s limited vocals, and I also love the arrangement composed mostly by keyboards, strong horns and the main synth line that shares its melody with the chorus. Great summer song by the guys!

I generally tend to write about Chisato Moritaka’s ( 森高千里 ) Eurobeat tunes, but the hard rock of “Kanojo” just hit me hard since she released 1991’s “The Moritaka Tour” DVD/Blu-Ray ( 「ザ・森高」ツアー 1991.8.22 at 渋谷公会堂 ) for the first time ever a couple of months ago. The song is almost a duet of Chisato with the guitarist, thanks to the well-executed guitar solos. Of course, the rest of her band was also essential, like the omnipresent bassist, and it’s strange to almost see her as part of a band instead of as a solo artist. In the end, rather than the colorful and light sound we’re used to from her, I see “Kanojo” as a grey and hard song thanks to its very specific sound (at least in Moritaka’s overall discography).